Music for End Times - Old School '99 Soundtrack

1)  Morcean Worker – Detonator (palm pictures)
2)  DJ Spooky – Sum Ill Shit (asphodel)
3)  Nusrat Fateh Ali Khan – Nothing Without You/Tery Bina
4)  Osamani Soundz – Spiritual Masterkey (mango)
5)  Miles Davis – Bitches Brew
6)  DJ Spooky – Murderah Style (asphodel)
7)  The Doors – Riders on the Storm
8)  Ian Pooley - Vital One (mille plateaux)
9)  Elijah - Chiming Fugue (home entertainment)
10) E-Z Rollers – Soundclash ('99 edit) (moving shadow)
11) Decoder – Nu Gen (Tech Itch)
12) Code Name John – The Warning (metalheadz)
13) Adam F – Metropolis (metalheadz)
14) Known / Unknown – Rollers Edit (moving shadow)
15) J Majik – Face II Face (infrared)
16) Source Direct – Call and Response (science)
17) Luke Slater – Love (novamute)
18) Goio - Basic Needs (drop bass network)
19) Neil Landstrumm – Praline Horse (I Ate The Whole Bag Remix)(tresor)
20) Kai Tracid - Tiefenrausch (Oliver Lieb Remix) (tracid traxxx)
21) Binary Finary – 1999 (Paul van Dyk Remix)(24 records)

[downloadable mix coming soon]

Handwritten Notes / Early Versions:

I've scanned in some notes and early drafts of Music for End Times to demonstrate how the work progressed over time and just for genral amusement.

Loose Notes

I discovered the majority of my early notes and drafts "filed" in an plastic record sleeve at the bottom of box of old notebooks.  When I was sorting through them for the new version of book I came across these rather random handwritten notes.  I'm not certain for what section of the piece they were originally intended.

part six - 7:21 p.m.

A very stripped back version of the Empire State Building section.

part three - Revelations

This early version of the Whore of Babylon section is actually written on the back of some rather depressing job inquiry letters, my resume circa 1999 and finally the Daily Operations Sheet from my days managing a restaurant.  I've included some of this back end material here for the sake of total self humiliation and general entertainment.

 p.1  p.1(b)  p.2  p.3  p.3(b)

 p.4  p.4(b)  p.5  p.6 

 p.7  p.7(b) 

part one - midnight

This is an early and significantly different version of the dramatic dance-tastic conclusion.

 p.1  p.2  p.3